Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Jan Weenix 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
43219 A Deerhound with Dead Game and Implements of the Chase Jan Weenix A Deerhound with Dead Game and Implements of the Chase mk170 1708 Oil on canvas 173.5x157cm
67437 A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background Jan Weenix A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background 1714 Oil on canvas 172 X 160 cm (67.72 X 62.99 in)
65934 After the Hunt Jan Weenix After the Hunt 1665 Oil on wood 44,7 x 34,5 cm
67699 After the Hunt Jan Weenix After the Hunt 1665(1665) Oil on wood 44,7 X 34,5 cm
70218 After the Hunt Jan Weenix After the Hunt Medium Oil on wood Dimensions 44,7 X 34,5 cm
90963 Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple Jan Weenix Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple 1694 Medium oil on canvas cjr
95484 An Italian Seaport Jan Weenix An Italian Seaport circa 1666(1666) Medium oil on canvas cyf
69955 Een aap en een hond bij dood wild Jan Weenix Een aap en een hond bij dood wild Medium Oil on canvas Dimensions 0172 ?? 160 cm
27357 The Departure of the prodigal son Jan Weenix The Departure of the prodigal son mk56 oil on canvas

Jan Weenix
Dutch Baroque Era Painter , Amsterdam 1640/42-1719 Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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